About Sony FR7 FEATURED REVIEWS See all 1 reviews Outstanding Camera By Queso P. Amazing product. Customer service is fantastic. World’s first Full-frame interchangeable lens camera with pan/tilt/zoom (PTZ) functionality ILME-FR7 is the world’s first camera to combine lens interchangeability, a full-frame image sensor, and pan/tilt/zoom (PTZ) functionality. The camera features a back-illuminated Exmor R image sensor with 10.3 effective MP and BIONZ XR processor for superb image quality. Compatibility with Sony’s extensive E-mount lens lineup work with remote pan/tilt/zoom control to break through location and space limitations for unprecedented creative potential. It also offers the cinematic look and operability that have made Sony digital cinema cameras leaders in the field, plus versatile connectivity and efficient multi camera workflow support. Remotely controlled pan/tilt/zoom mechanism with up to 1002 camera presets. With its integrated remotely controllable pan/tilt mechanism, ILME-FR7 can be mounted on a tripod, on a ceiling, or in other locations that provide limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. Pan and tilt speed can be continuously varied from 0.02 degrees/sec to 60 degrees/sec, supporting a wide range of precise camera movements. The pan angle range is from -170 Degree to +170 Degree , and the tilt angle range is from -30 Degree to +195 Degree when used in upright orientation, or from -210 Degree to +15 Degree inverted. FR7 is also compatible with Sony’s RM-IP500 remote controller for multi-camera production, further expanding creative potential. A single RM-IP5005 unit can remotely control up to 1002 FR7 cameras (10 groups of 10 cameras). Compatible with 70 E-mount lenses ranging from 12mm to 1200mm including power zoom models The ILME-FR7 features Sony’s E-mount and can be used with all E-mount lenses, including the superlative G Master series with stunning resolution and world-class bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives users comprehensive creative control. Power zoom models can be controlled remotely and provide unique framing flexibility. Web App4 for control by tablet or PC via web browser or with RM-IP5005 for precise joystick control. With a new dedicated web application built in, pan, tilt, zoom, focus, record, playback, and all camera settings can be controlled from a tablet or computer web browser. This provides easy, versatile remote control for situations where the camera is mounted on a ceiling or other hard-to-access location. The FR7 be used with Sony’s high-performance RM-IP5005 remote controller providing precise joystick-controlled pan, tilt, and zoom operation. Speed adjustment knobs allow pan, tilt, zoom, focus, speed adjustment to match the subject and application. Zoom can be controlled either via the joystick or a seesaw lever, to match operator needs. High sensitivity up to ISO 409,6006 and 15+ stop dynamic range, selectable 800 or 12800 base ISO In order to take full advantage of the imager’s high sensitivity, the FR7 has a Base Sensitivity setting that allows ISO to be expanded up to 4096006 when shooting in low light. In Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions, making it possible to minimize noise while maintaining a consistent look. Furthermore, a wide 15+ stop7 dynamic range prevents blown highlights and blocked shadows. In camera Slow & Quick motion from 1 fps up to 120 fps8 4K (QFHD) / 240 fps FHD The ILME-FR7 allows internal slow-motion capture at QFHD resolution and a high 120 fps frame rate. Smooth 5x slow motion affords extensive creative possibilities. 120 fps footage can be recorded at the camera’s highest quality XAVC-I 4:2:2 10-bit Class 300. Full HD can be recorded at 240 fps allowing 10x slow motion (24p recording). Fast Hybrid AF w/ 627 phase-detection AF points9 and Real time Eye-AF Fast Hybrid AF locks onto the subject quickly and tracks tenaciously. With 627 selectable phase-detection AF points9 that cover almost the entire image area (approx. 94% vertical and 95% horizontal). The camera’s BIONZ XR engine can process a huge volume of subject data in real time for precise, high-density focus analysis. Fast Hybrid AF and pan/tilt/zoom functionality combine to focus on even fast-moving subjects precisely and smoothly over a wide area, even when a shallow depth of field is used. The advanced real-time processing realizes unprecedented detection performance for pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. This high-performance AF is available when shooting 4K 120p movies too. Touch Tracking can be used to initiate Real-time Tracking on the desired subject when using the FR7 web application, with Real-time Eye AF if an eye is detected. Remotely controllable continuously variable electronic ND filter (1/4 to 1/128) Sony’s built-in electronically controlled ND filter allows seamless ND adjustment from 1/4 to 1/128 so that exposure can be varied while keeping the aperture constant for consistent depth of field. Variable ND in auto, perfectly exposes images without affecting the depth of field, shutter angle or ISO, letting you achieve perfect exposure even during changing lighting conditions. Remote control is also possible, allowing exposure control at a distance from the camera. Custom and Cine EI mode shooting modes to match creative workflows ILME-FR7 provides Custom and Cine EI modes that can be used to match camera operation to the user’s workflow while maintaining consistency with other Cinema Line cameras. Custom mode allows the final look to be created in-camera, reducing the need for post-production. A number of preset scene files that determine the final look are provided, including S-Cinetone. Cine EI mode is ideal for post-production, allowing the use of Sony’s original S-Log gamma curve as well as the wide S-Gamut and S-Gamut. Cine color spaces. Professional connectivity – up to 12G SDI, HDMI A, XLR input, TC, GENLOCK The ILME-FR7 provides professional connectivity with a comprehensive selection of inputs and outputs that facilitate video output, IP streaming, power supply, and synchronization with other devices. HDMI Type A and SDI connectors are provided for video output. The HDMI output can be used for real-time monitoring with status info while the SDI output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, greatly simplifying cabling requirements. 4:2:2 10-bit10 XAVC-I (Intra), XAVC-L (Long GOP) and 16-bit RAW output The FR7 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 color sampling with either Full-HD Long-GOP or 4K All Intra compression. This makes it possible to push your color grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom. S-CinetoneTM for rich cinematic look inspired by VENICE colorimetry The inclusion of Sony’s acclaimed S-Cinetone look, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction and camera-matching and powerful post-production possibilities. Picture Profiles incl. HLG12, S-Log3 w/ S-Gamut, S-Gamut.Cine An HLG12 (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. S-Log gamma curves are available, with S-Log designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15+ stops. Two color gamut settings (S- Gamut, and S-Gamut.Cine) make it easy to match the colors of footage shot with Sony’s Cinema Line Cameras. Breathing Compensation suppresses unintended image shifts With Breathing Compensation, creative focusing is possible while suppressing unwanted shifts in the angle of view. When using compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects. Remote/multi camera shooting opens up a new world of expression With its integrated remotely controllable pan/tilt mechanism FR7 can be mounted on a tripod, on a ceiling, or in other locations so that subjects can be unobtrusively followed and recorded from unique viewpoints. With Sony’s optional RM-IP5002 remote controller a small crew can shoot with multi-camera setup, further expanding creative potential. A single RM-IP500 can remotely control up to 100 FR7 cameras (10 groups of 10 cameras). Up to 100 programmable quick access preset positions The supplied infrared remote controller, dedicated FR7 Web App, and optional RM-IP500 remote controller allow up to 100 camera position presets to be memorized. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button. 12G SDI BNC output/ HDMI type A video output It is possible to output video as a 12G, 6G, 3G, or HD-SDI signal, and the camera can also output in RAW format when the appropriate setting is made. There’s also the option of either a clean HDMI output, for external recording, or overlaid with status and settings for monitoring. Optical output connector An optional SFP+ module can be used to convert the camera’s SDI output to optical format for low-loss transfer over long distances. XLR 5-pin 2 Channel audio input This connector receives the output from an external microphone or audio device. Product Information provided by the Manufacturer Sony Recommends Sony FE 16-35mm f/2.8 GM Lens for Sony E G Master performance in a compact wide-angle F2.8 16–35 mm zoom offers a wealth of opportunities to capture subjects in creative new ways. View Specifications $1,898.00 Add to Cart Sony FE 16-35mm f/2.8 GM Lens for Sony E Sony FE 24-70mm f/2.8 GM II Lens Sony FE 70-200mm f/2.8 GM OSS II G Lens for Sony FE Sony FE 14mm f/1.8 GM Prime Lens Sony G Master FE 24mm f/1.4 GM Lens for Sony E Sony FE 35mm f/1.4 GM Lens Sony FE 50mm f/1.2 G Master Lens Sony FE 100mm f/2.8 STF GM OSS Lens for Sony E Sony FE 135mm F1.8 GM Lens for E Sony FE 12-24mm f/2.8 GM Lens for Sony E Sony FE 200-600mm f/5.6-6.3 G OSS Lens for Sony E Sony TOUGH 80GB CFexpress Type A Memory Card Sony TOUGH 160GB CFexpress Type A Memory Card FR7 Cinema Line Full-frame PTZ camera A full-frame image sensor, a broad line-up of interchangeable lenses, and the look and operability of Sony’s renowned digital cinema cameras-the FR7 brings outstanding professional performance to the PTZ (pan-tilt-zoom) format. With its unique perspective and capabilities, it will change the way visual content is made. World’s first PTZ camera with full-frame sensor The FR7 features a back-illuminated 35-mm full-frame CMOS image sensor with approximately 10.3 effective megapixels, employing Sony’s advanced sensor technology in a pan, tilt, and zoom (PTZ) camera for the first time1. The high-performance BIONZ XR image processing engine contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life color with low noise. Staggering latitude for powerful expression The FR7 offers a wide 15+ stop latitude2 that prevents blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. Astounding image quality in low light The FR7 offers clean images even in low light by taking full advantage of the sensor’s high sensitivity. The ISO can be expanded as far as ISO 4096003 when shooting in extreme low-light conditions. High-frame-rate shooting in 4K4 120p4 Smooth 5x slow motion delivers creative possibilities, and the FR7 provides internal slow-motion capture at 4K4 resolution and a high 120 fps frame rate5. 4K 60p 4:2:2 ten-bit output The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR®6 in 4K 60p 4:2:2 ten-bit format with compatible external recorders via an HDMI or SDI cable. 4:2:2 ten-bit, All-Intra The FR7 is capable of 4K internal recording to dual CFexpress Type A/SDXC card slots, with 10-bit depth and 4:2:2 color sampling and either All-Intra or space-efficient Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures. Support for S-Log3/S-Gamut3 S-Log3 gamma curve and S-Gamut3.Cine let you capture the full color gamut and dynamic range available to the sensor, and make it easier to match up footage with shots from other Cinema Line cameras during post-production. S-Cinetone for cinematic images right out of camera Beautiful cinematic images can be created easily without the need for post-production. S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colors and gorgeous highlights. A wide range of lenses to support visual storytelling The FR7 features Sony’s E-mount7, so you can choose lenses for your intended visual style. High-performance E-mount lenses support your creativity, including the superlative G Master series with its stunning resolution and bokeh; prime lenses; and ultra-telephoto lenses with focal lengths ranging from 12 mm to 1,200 mm8. Wide-ranging pan-tilt-zoom operation The FR7 incorporates smooth pan, tilt, and zoom9 functionality that can be recalled to preset positions. The pan angle range is from –170° to +170°, and the tilt angle range is from –30° to +195° when used in normal upright orientation, or from –210° to +15° when suspended from a ceiling mount. Zoom speed is also variable. A new Web App10 for total control Even when the camera is mounted on the ceiling or in another hard-to-access location, operation is easy and intuitive. A new dedicated Web App uses the same menu format as the FX6. Pan, tilt, zoom, focus, and record operations and all camera settings can be controlled from a tablet or a computer’s web browser10. Variable-speed camera movement The FR7 supports variable-speed camera movement. Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. Quick-access preset positions The supplied infrared remote controller11, the dedicated FR7 Web App, and the optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled12. Presets including camera direction, zoom, and focus can be recalled at the touch of a button. Clear Image Zoom12 for a flexible angle of view The FR7 lets you vary your angle of view even with a relatively small amount of equipment on a shoot. It incorporates Sony’s Clear Image Zoom function, which allows zooming with minimal image degradation when using a non-powered zoom or a prime lens. Fast Hybrid AF for reliable remote shooting Fast Hybrid AF locks onto the subject quickly and tracks tenaciously, even with remote shooting, shallow depth of field, or low light. With wide coverage from 627 selectable phase-detection AF points, the camera can handle a huge volume of subject data in real time-ideal for fast-moving subjects. [1] Phase-detection AF coverage area. Real-time Tracking/Realtime Eye AF during remote shooting You can leave focusing to the camera and concentrate fully on composing your best shot. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, with Real-time Tracking. In addition, Real-time Eye AF automatically keeps pinpoint eye focus, even when the subject is looking up or down at a steep angle. Electronic Variable ND filter support for remote shooting Remote exposure control with the built-in ND filter is possible. Sony’s electronically controlled ND filter allows seamless ND adjustment from 1/4 to 1/128, so exposure can be varied while keeping the aperture constant for consistent depth of field. Breathing Compensation13 suppresses unintended image shifts With Breathing Compensation13, creative focusing is possible while suppressing unwanted shifts in the angle of view. When using compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects. Up to 100 cameras can be remotely operated With the FR7 it’s possible for a small number of staff members to operate a shoot with a multi-camera setup. The optional RM-IP50014 advanced remote controller allows up to 100 cameras (10 groups with 10 cameras each) to be controlled remotely. Tally lights facilitate multi-camera production In a multi-camera shoot, tally lights indicate which camera is currently in use, helping to facilitate smooth operation. A red tally light can indicate the current on-air camera while a green tally light can indicate a camera in preview, ready to be switched on-air next. 12G SDI BNC output/ HDMI type A output It is possible to output video as a 12G, 6G, 3G, or HD-SDI signal, and the camera can also output in RAW format when the appropriate setting is made. There’s also the option of either a clean HDMI output, for external recording, or overlaid with status and settings for monitoring. Optical output connector An optional SFP+ module can be used to convert the camera’s SDI output to optical format for low-loss transfer over long distances. XLR 5-pin stereo This connector receives the output from an external microphone or audio device. Audio CH-1 and CH-2 are received via a single connector. Dual media slots for CFexpress Type A / SDXC The camera is equipped with dual media slots supporting CFexpress Type A15 memory cards and SDXC memory cards. With support for Sony’s latest VPG400 CFexpress Type A cards, you’ll also benefit from sustained recording performance for high-frame and high-bitrate shooting. Infrared remote controller The FR7 is supplied with an infrared remote controller11 that can be used to control pan, tilt, zoom9, focus, record, playback, standby on/off, and other camera operations and settings. RTSP / NDI|HX / SRT IP streaming RTSP streaming allows the video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. NDI|HX16 enables a network connection to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols. TC IN connector Receives timecode from an external device to be used for synchronization. Option connector The “Option” connector coordinates tally-light signals with an external device. Synchronization with external devices (Genlock) Receives synchronization signals from an external device for use in multi-camera setups. PoE++ The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus17) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling. [1] Network Switch [2] FR7 [3] Data [4] Power. Works with iMovie and Final Cut Pro X This product is compatible with Final Cut Pro X and iMovie18. Sony FR7 Features World’s first Full-frame interchangeable lens camera with pan/tilt/zoom (PTZ) functionality Remotely controlled pan/tilt/zoom mechanism with up to 1002 camera presets Compatible with 70 E-mount lenses ranging from 12mm to 1200mm including power zoom models Web App for control by tablet or PC via web browser or with RM-IP5005 for precise joystick control High sensitivity up to ISO 409,6006 and 15+ sto dynamic range, selectable 800 or 12800 base ISO In-camera Slow & Quick motion from 1 fps up to 120 fps 4K (QFHD) / 240 fps FHD Fast Hybrid AF w/ 627 phase-detection AF points and Real time Eye-AF Remotely controllable continuously variable electronic ND filter (1/4 to 1/128) Custom and Cine EI mode shooting modes to match creative workflows Professional connectivity – up to 12G SDI, HDMI A, XLR input, TC, GENLOCK 4:2:2 10-bit XAVC-I (Intra), XAVC-L (Long GOP) and 16-bit RAW output S-CinetoneTM for rich cinematic images right out of the camera Picture Profiles incl. HLG12, S-Log w/ S-Gamut, S-Gamut.Cine Breathing Compensation suppresses unintended image shifts Remote/multi camera shooting opens up a new world of expression Up to 100 programmable quick access preset positions 12G SDI BNC output/ HDMI type A video output Optical output connector for low-loss transfer over long distances XLR 5-pin 2 Channel audio input connector Professional connectivity with TC input, GENLOCK and Option connectors RTSP / NDI|HX / SRT IP streaming Tally lights facilitate multi-camera operation 2x card slots, both compatible w/ CFexpress Type A, SDXC UHS-I/II Dedicated accessory ceiling mount bracket CIB-PCM15
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