Sony FX30 Super 35 Cinema Line Camera

About Sony FX30 FEATURED REVIEWS See all 25 reviews   Excelente cámara By 3mediagropu I bought this camera and I’m very excited. Excelente!!!!   Vipetv loves the new FX30 By Vipetv Hi I love the new Sony FX 30 cinema camera. It fits in well but what I do I have shot over 15,000 music videos and some documentaries and short films and I always wanted a camera like this just for cinema. 26.1 MP Exmor R APS-C (Super 35mm format) image sensor with wide dynamic range Sony’s acclaimed image sensor technology in a new back-illuminated 26.1 megapixels APS-C Exmor R CMOS sensor (Super 35 format) achieves high sensitivity, low noise, and wide dynamic latitude. 6K oversampling compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. Capture the scene in cinematic 4K resolution with the expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops. S-Cinetone for a cinematic look straight out of the camera without grading The FX30 includes S-Cinetone, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it’s easy to achieve a beautiful cinematic look without the necessity of post-production grading. Flexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality Three modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. User LUTs can be applied to the LCD display and HDMI output and embedded in clips When recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image. LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format) can be imported into the camera via memory card. Dual Base ISO and a 14+ stop range for wide latitude and low-noise images The Dual Base ISO provides two sensitivity settings – one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30’s dynamic range when shooting in both bright or low-light conditions. Furthermore, a wide 14+ stop latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions, making it easier to shoot top-quality images in just about any shooting situation. Log recording for smooth cinematic image quality when color grading For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut. Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera’s output to ensure that the highest image quality can be easily achieved during post processing. Dependable, accurate autofocus with Real-time Eye and Real-time Tracking AF Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (human, animal, or bird), while Real-time Tracking provides reliable tracking thanks to Sony’s unique AI-based subject recognition algorithms. Improved tracking is achieved even when shooting at high 120p frame rates. Image stabilization Active Mode supports handheld movie shooting Active Mode utilizes an in-body 5-axis sensor shift image stabilizer and provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, even while walking, and at 4K high resolution. Extensive recording formats for high image quality and advanced post-production The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom. In addition to XAVC S AVC/H.264 encoding, XAVC HS format recording, using the HEVC/H.265 codec, roughly doubles the compression efficiency. XAVC S-I 4K and XAVC S-I HD formats provide per-frame Intra compression so the user can choose the most suitable format for the job at hand. Creative slow-motion options with up to 4K (QFHD) 120p with autofocus The FX30 offers 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery at QFHD resolution with autofocus provides new expressive capability. The ability to capture moving subjects in smooth slow motion opens up a whole new world of creative potential. 4K 16-bit RAW output from HDMI terminal for compatible external recorders For demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution. A selection of Creative Looks to create interesting moods right in the camera A selection of Creative Looks makes it easy to create interesting moods right in the camera. The Creative Look presets can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user’s preference, and favorite settings can be registered as custom looks. Sophisticated focus functions to handle any situation The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualize depth of field while shooting and Breathing Compensation provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses. Additional breathing compensation is also available in post-production software supported by camera metadata. Uninterrupted 4K 60p recording with cooling fan ventilation For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance. Metadata to facilitate editing with Catalyst Browse and Prepare software Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization, focus breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or purchased Catalyst Prepare software Proxy recording for efficient editing workflow Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow Time code input synchronization capability The FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adapter and standard BNC cable. Still image shooting function Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations. New list-style main menu for quick access to frequently used items The camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Product Information provided by the Manufacturer Sony Recommends Sony E PZ 10-20mm f/4 G Lens The world’s smallest and lightest constant F4 ultra-wide-angle APS-C power zoom lens [FN|As of June 2022, Sony survey of interchangeable ultra-wide-angle APS-C zoom lenses for mirrorless cameras (when ready to shoot).] offers outstanding mobility and superb image quality. Smooth, versatile power zoom provides speed and framing control that brings extra expression to dynamic ultra-wide visual perspectives View Specifications $648.00 Add to Cart Sony E PZ 10-20mm f/4 G Lens Sony E 15mm f/1.4 G Lens Sony E 11mm f/1.8 Lens Sony E 16-55mm f/2.8 G Lens Sony FE 16-35mm f/2.8 GM Lens for Sony E Sony FE 24-70mm f/2.8 GM II Lens Sony FE 70-200mm f/2.8 GM OSS II G Lens for Sony FE Sony FE 14mm f/1.8 GM Prime Lens Sony G Master FE 24mm f/1.4 GM Lens for Sony E Sony FE 35mm f/1.4 GM Lens Sony FE 50mm f/1.2 G Master Lens Sony FE 100mm f/2.8 STF GM OSS Lens for Sony E Sony FE 135mm F1.8 GM Lens for E Sony FE 12-24mm f/2.8 GM Lens for Sony E Sony TOUGH 80GB CFexpress Type A Memory Card Sony TOUGH 160GB CFexpress Type A Memory Card Sony ECM-B10 Camera-Mount Digital Shotgun Microphone Sony ECM-B1M Camera-Mount Digital Shotgun Microphone Sony NPA-MQZ1K Multi-Battery Adapter Kit for 4x Z-Series Batteries Sony ECM-AW4 Bluetooth Wireless Microphone System FX30 compact Cinema Line gateway camera The compact, very accessible FX30 brings up-and-coming visual storytellers into the world of Sony’s highly acclaimed Cinema Line cameras. Drawing on cinematic color science with S-Cinetone™ and S-Log3 for grading, it produces stunning cinematic imagery while incorporating a full array of workflow-efficient features. Memorable imagery from the Exmor R™ CMOS sensor The FX30’s back-illuminated Exmor R APS-C CMOS sensor is ready to deliver memorable imagery with outstanding resolution and a shallow depth of field. Sony’s industry-leading image technology is packed into a new Super 35 format (20.1 megapixel1) sensor with wide latitude. Capture the scene in 4K resolution with expressive depth of field, stunning bokeh, and cinematic freedom. S-Cinetone™ for a cinematic look without grading The FX30 incorporates S-Cinetone, based on the color science behind the highly regarded color and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it’s easy to achieve a beautiful cinematic look without the necessity of post-production grading. Recording formats for image quality and post-production The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency2, 3, allowing detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, for even better image quality and manageable file sizes. Dual Base ISO for cleaner images in low light The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximize the FX30’s dynamic range when shooting in both bright or low-light conditions. What’s more, a wide 14+ stops4 of latitude minimizes the risk of blown highlights or blocked shadows over a wide range of lighting conditions. Log recording for smooth cinematic color grading For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when color grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality color reproduction over a wide latitude, and special care has been taken to adjust the camera’s output to ensure that the highest image quality can be easily achieved during post processing. New Log shooting modes for optimized image quality Three modes are provided for recording with the S-Log3 gamma curve. Cine EI5, used in Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick5 simplifies setup by automatically switching the camera’s Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony’s s709 has been added to the available LUT presets. See an accurate preview of the final image with user LUTs When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customizable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing6. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card7. Dependable, highly accurate autofocus Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds, and animals8), while Real-time Tracking provides reliable tracking based on Sony’s unique, AI-based subject recognition. Sophisticated focus functions to handle any situation The FX30 makes fast, accurate focusing as easy as possible. AF Assist9 smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map10 makes it easy to visualize depth of field while shooting, and Breathing Compensation11 provides a stable angle of view when rack focusing by minimizing the field-of-view shift that can occur with some lenses. Flexible motion with up to 4K / 120p recording The FX30 provides 4K recording at up to 120 frames per second12. Extraordinarily smooth 5x (max.) slow-motion imagery13 with autofocus provides new expressive capability, opening a whole new world of creative potential. Active Mode image stabilization supports handheld movie shooting14 Active Mode14 is an optical in-body 5-axis image stabilization mode that provides increased stabilization for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution. Metadata to facilitate editing with Catalyst Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and shot marks. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or purchased Catalyst Prepare software15. Proxy recording for efficient editing workflow Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow16. Still image shooting function Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations. Multi-thread body makes a cage unnecessary Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit17 provides three additional thread holes so that accessories and add-ons can be stably and securely attached. New Main menu for quick access to frequently used items The camera’s new list-style main menu gives you access to frame rate18, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Movie standby screen The layout of the information and icon overlay that appears in standby mode has been optimized for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area. Tally lamps Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress. Flexible, high-resolution touch-panel LCD monitor The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot19 touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions. Vertical aspect markers With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included. XLR connectors for high-quality external audio input The XLR handle unit17 provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats. Broad connectivity for a wide range of shooting needs An HDMI Type-A connector can be used to feed 4K, 16-bit RAW20, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C® , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam. 16-bit RAW output via HDMI For demanding post-production workflows, 16-bit RAW output20 is available over an HDMI connection to compatible external recorders21. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution22. Time code sync The FX30 can be synchronized (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor23 and standard BNC cable. Two CFexpress Type A-compatible media slots The camera’s two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording. Uninterrupted 4K 60p24 recording For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized the camera’s airflow and heatsink placement. When required, a silent25 cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance. Designed to resist dust and moisture26 Dust- and moisture-resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments. Sturdy magnesium alloy body The camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Imaging Edge Mobile™ Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files. Environmentally conscious without compromising performance The Sony Group continues to accelerate our “Road to Zero” environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials. Sony FX30 Features 26.1 MP Exmor R APS-C (Super 35mm format) image sensor with wide dynamic range S-Cinetone for a cinematic look straight out of the camera without grading Flexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality User LUTs can be applied to the LCD display and HDMI output and embedded in clips Dual Base ISO and a 14+ stop range for wide latitude and low-noise images Log recording for smooth cinematic image quality when color grading Dependable, accurate autofocus with Real-time Eye and Real-time Tracking AF Image stabilization Active Mode supports handheld movie shooting Extensive recording formats for high image quality and advanced post-production Creative slow-motion options with up to 4K (QFHD) 120p with autofocus 4K 16-bit RAW output from HDMI terminal for compatible external recorders A selection of Creative Looks to create interesting moods right in the camera Sophisticated focus functions to handle any situation Uninterrupted 4K 60p recording with cooling fan ventilation Metadata to facilitate editing with Catalyst Browse and Prepare software Proxy recording for efficient editing workflow Time code input synchronization capability Still image shooting function New list-style main menu for quick access to frequently used items Flexible, high-resolution touch-panel LCD monitor Broad connectivity for a wide range of shooting needs Dual card slots, both compatible with CFexpress Type A and SDXC/SDHC Recording (tally) lamps and emphasized record displays Comprehensive zoom control Uninterrupted power for extended recording by USB PD support Multiple 1/4″-20 threaded mounting points make a cage unnecessary Compact, lightweight body designed for mobility Dust and moisture resistant design to handle challenging environments Durable magnesium alloy chassis One Mount: connect seamlessly with E-mount interchangeable lenses